Will Published Writers Ever Accept Self-Publishing?

Harlequin recently decided to create a self-publishing unit called Harlequin Horizons for romance authors who either did not make it into Harlequin Romance or simply wanted to do it themselves (find info on this here). This caused outrage among the Romance Writers Association of America as well as the Science Fiction and Fantasy Writers of America among other groups. Harlequin has since changed the name to Dellarte Press to appease these groups. This all happened in the course of a month.

I liked this whole episode because it highlights the power of the author as well as insight into where publishing houses might be going - if allowed.

Unfortunately, I think that since Harlequin no longer has their name on their self-publishing arm, it will lose its significance. Anyone can self publish on numerous websites such as Lulu, Arbor Books, Xlibris, etc. but what would've made Harlequin Horizons unique is the Harlequin Brand name. The name recognition alone and the brand identity with quality/predictable romance novels is what would make aspiring romance writers flock to this self-publishing site and basically guarantees their books would be pseudo-successful. Which, I suspect, is why authors that were actually published by Harlequin via the traditional route got so upset.

So, now you not only have independent publishers butting heads with bloated corporate publishing houses, but you also have published authors butting heads with their former selves.

Speaking of self-publishing...you should all check out AlphaBetaPocalypse by Samuel Sobelman, Chemist by day Self Publishing Sci-Fi Writer by Night

Winter 2009/2010 Anthology Theme

After some deliberation and thought I have come up with the theme for our first anthology. It is a particularly personal theme since it defines my current state, but is applicable to everyone. Works will be selected for the anthology based on reader feedback/comments as well as my input as editor. Because this is From the Margins' first anthology, works that do not contain the theme will still be eligible for consideration. However, those that do incorporate the theme will receive free copies of the anthology and have their bios featured in the text.

The theme for the Winter 2009/2010 Anthology is "In Pursuit."

Please let me know if you have any questions or comments.

Sincerely,

Diana Hawkins

From the Margins
http://frommargins.blogspot.com
from.margins@gmail.com

Post Script: Any and all forms of printable artistic expression, not just prose poetry, etc., will be included in the anthology.

Submission Guidelines

So here's how this is going to work. Email me a copy of your pieces to: from.margins@gmail.com.

If it's...

Prose or Poetry - please no special fancy formatting - don't send something shaped like a heart etc.

Artwork - if it's too big to be emailed zip it or send something smaller or a link to the image

Music & Video - send me the actual file or the html to embed it in the site if it's from youtube etc.

Submissions will be posted on a weekly basis. Eligibility Guidelines for the Winter publication will be posted in October.


Note: If I find something blatantly offensive (meaning not a satire or sarcastic piece), chances are it will not be posted.

Check This Out

AlphaBetaPocalypse by Samuel Sobelman



Music & Video

Coming Soon!!

Artwork




Author: Fred Matthews
Media: Ink on Paper
Original Size: 5"x7"

Title: Theresa Mine





Title: Gleaner




Author: Diana Hawkins
Media: Digital Photo

Title: On the Lookout









Prose

Title: Yuletide Flurry
Author: Robert Egan
Picture: http://www.impstalk.co.uk/
20082009/images/frozen-tundra.jpg


“Are you old enough?”

The well-manicured clerk smirks at me when I nod and set the large bottle of Red Stripe on the counter. “Actually – it's cold enough out there,” I halfway explain before walking to the back of the store for another Red Stripe and setting it next to the first bottle. I'm about to start my first round of Christmas shopping and I don't want to have too much of my wits about me. A few sips later and I've found everything that I could ever need at DEALS (nothing over a dollar). I reach for a pack of citrus energy gum to complement the bottle of lemon pepper and box of matches sliding along the conveyor belt, but I drop my plastic flute at the sight of a baby in the shopping cart behind me. He's looking at me with unblinking beady blue eyes framed by a skull cap and pacifier - plus he doesn't seem to be breathing. I'm the first to look away, but when I look back his eyes still haven't left me. His tiny hands clench and unclench and for a ludicrous instant I imagine them trying to throttle me. Back in the parking lot I finish the first Red Stripe to shake off a peculiar dread of disproportionately small things- they make me feel not myself.
Next stop is the land of plenty where people of all ages, hair styles, and waistband sizes can merge together to feed on unbeatable prices and their own shopping fumes that waft down the linoleum aisles. After finding a superman hat with ear flaps and wondering why the accompanying emblazoned gloves are too small for my hands, I start to travel around the store in interlacing figure eights. That odd sense of doom finds me again when I pass by a rack lined with baby clothes while the ever flowing stream of shoppers dilutes me further.
I notice that all my figure eight paths intersect roughly in the sporting goods department, so I stop there to let the source of my dilemma find me. I've zoned in on some intricate fishing lures when there's an overwhelming aroma of icy hot and stale nachos. “You know those lures are useless unless you combine them with a soccer ball,” a man dressed entirely in white says. Don't make eye contact, don't ask him what he means by that, I instruct myself silently. “Do you understand? Do you or don't you? It's a simple question – do you understand?”...he's waiting expectantly.

“What do you mean by that?” ... shit. He spends the next fifteen minutes elaborating on how to weave the lures uniformly along the soccer ball's surface. Supposedly if you paint the whole arrangement white, then the elves at the North Pole can't tell it apart from a Hunchick egg. Actually it's not really the North Pole but a remote part of Canada and Hunchicks aren't as rare as the animal lovers would have you believe. “What's a Hunchick?” I ask before I can stop myself. As we talk he is also piling items into his cart including jump ropes, two pound weights, rotten fish paste in a squeeze tube (intended for catfishing), a pair of kid sized hockey sticks, and a box of golf tees. I finally manage to disentangle myself from the conversation by slowly backing away along a trail of nods and smiles.

I choke on the last of my Red Stripes in the minivan when someone taps on the window- it's the man in white. “Ready for the hunt?” he asks matter-of-factly while hefting several bulging bags. Lock your doors and just drive away... I play out the scenario where I buy another bottle and try to wrap presents and convince myself that it's all original. Christmas morning will come and go while I put on my merry mask and try not to cringe at the tiny stockings hanging above a fake fireplace... “Yeah, I'm ready as long as that's not code for stab me,” I reply as I open the door.

The man in white is named Nigel and his eyes glaze over automatically at any question pertaining to his origin. All I know is that he seems to have a never ending wad of twenties that he uses to pay for gas and snacks all along the way to Canada. He only ever eats nachos plus purple pills that I take to be vitamins. He has a small hairy face that he rubs in contemplation for several moments before talking. He rearranges his expression to match whatever words must come while I keep my face blank and concentrate on the road. Mostly he spends his time in the back of the van assembling and combining his purchased items in ways that I'd never have imagined.

We drive non-stop since Nigel insists that we can't get there once the Yuletide flurry sets in. When I ask him if that's the name of a snowstorm he launches into an hour long history lecture that includes Vikings and perfect circles before lapsing into silence for the rest of the day. I keep quiet too because I have more questions than when we started and I'm not sure that I want to hear the answers. Despite my own doubts, I'm truly convinced that Nigel believes there will be elves in need of hunting wherever we may be going.
The trip takes almost 45 hours. Every time I almost nod off Nigel pulls out a container that looks like it's made of tree bark and rubs whatever is inside all over his hairy face. I'm still convinced that it's some potent version of icy hot from the way the stench burns my nostrils. My watering eyes force me to blink away the sleep. “Nigel – what the hell do you keep putting on your face man?” He murmurs something about Yuletide before tucking away the container secretively.

We pass the border into Canada without my noticing – the only hint that tips me off is the mounty on his horse blocking our path. By this time the road has degenerated into a snowy suggestion of hidden dangers and pine trees form a majestic wall before us. The mounty holds his hand up politely for us to stop – he is a walking stereotype in his red jacket and wide brim hat until he pulls out a small walkie talkie. Suddenly other mounties break from the pine trees and surround the van on all sides. The lead mounty motions for me to roll down the window with a disturbingly considerate gesture. For the first time in two days I find myself in desperate need of another Red Stripe.

Instead I'm surrounded by red uniformed strangers who all take a step closer as soon as I open the window the tiniest crack. The falling snow may have been playing tricks on my eyes, but I thought I saw each mounty bring a hand closer to a side holster as they took another step. One of them caught sight of Nigel in the passenger seat and all the red uniforms seemed to breathe an audible sigh of relief. “You'll have to leave the van and any firearms or blades that you have here sir” mounty #1 informed me in a voice devoid of any accent. I was struggling with a reply before Nigel started handing me supplies from the trunk. “ It's time to start the hunt – do you understand? Do you or don't you – it's a simple question.”

We lug our equipment through the pine trees for almost an hour before breaking out into a white expanse garbed in twilight. “What time is it Nigel?” He shrugs before applying some more icy hot salve to his face. “If you think there are elves out here, then does that mean you believe in Santa too?” Nigel rearranges his face for an expression that I haven't seen yet. It's a look that tells me I'm just another piece of equipment- if I don't serve a function, then my existence is no longer necessary.

The air reverberates with what sounds like the giggle of a giant baby. More baby calls of glee join this one while the dread resurfaces to send my mind reeling. “Hunchicks... don't panic. Put some of this on your face without making any sudden movements.” Nigel hands me the tree bark icy hot container in one smooth motion.

“I'm not putting your tree spunk on...” two yellow orbs appear from a snow bank two feet to my left and the accompanying baby chuckle thumps through my eardrums. Snow flies up as a six foot tall, wingless white bird lunges for my face. My left earlobe hits the snow about a second before I do, and I'm smearing generous amounts of icy hot across my face at the same time. The creature's face is about an inch above mine – it's flat like a barn owl's except the beak is sideways and extends out from the cheeks. At the corner of each yellow eye is a hole that pulsates as the beak tickles my Adam's apple... I'm being sniffed. The Hunchick coos and blinks twice while I notice that its eyelids close to the side just like the beak. The pain in my ear registers just as the Hunchick waddles off to join a pair of its fellows that have until now been staring Nigel in the face. Within seconds I can't tell them apart from the snow again. “Hunchicks don't like strangers, but the salve helps them forgive or forget,” is the only explanation offered by the man in white as he takes back the container.
We make camp by digging up snow within a perimeter designated by Nigel. Underneath is an elliptical pattern of stones that may have once been a perfect circle. Each stone is crusted over with light blue moss which Nigel scrapes carefully into the tree bark container. I lean against some of the larger stones and hold a snowball to my bleeding ear while he arranges the supplies on the frozen soil. The golf tees are the first purchase that gets put to use. “Come help me set these up... the first Yuletide flurry starts in thirty minutes” Nigel speaks with sudden authority. We hammer down about a dozen tees along the inner perimeter before my knuckles are cracked and numb. I watch in bewilderment as Nigel starts mixing rotten fish paste with snow to make slimy slush balls before he motions for me to take part.

Place a fish ball on a golf tee and smack it with a hockey stick as far out in to the white tundra as possible before moving on to the next tee. Nigel and I do this for the next fifteen minutes and the plops I hear off in the distance seem to number more than just our fish balls alone. Perhaps there are other elf hunters out there. Before I can ask I'm handed a rope. On one end is a very dangerous looking soccer ball covered in dozens of fishing hooks – the other end is tied to a metal stake. Nigel picks up a similar apparatus and shows me how to swing it over my head lasso style before releasing it out into the whiteness. We set up six of these before he hands me a knotted jump rope with a pair of 2 pound weights intertwined at one end. “What next?” I ask nervously as Nigel rubs his hairy face in anticipation. “Just wait... and if you see a tug on one of the ropes just keep pulling no matter what happens.”

Clank-a- clickity clankaclank clickityclickityclank. A wall of snow has begun to move below us and progresses with the beat that sounds as if it's being made with tiny spoons on worn out tin cans. A horn blares in the distance and is answered several times before Nigel takes out a silver whistle and produces the same call. A section of the wall of snow has broken off before diverging into hundreds of figures scurrying in our direction. There's a violent tug on the rope to my front and right and I'm sliding palm over palm along it before a conscious thought can occur. A baby-sized ball of white fur attached to the soccer ball end is struggling and spasms violently when I pull it over the stones. A pair of weights whams past my ear as Nigel smacks the sorry figure repeatedly with deadly efficiency. “SWITCH!,” his voice booms while he extracts the ball of fur from the soccer ball before going over it with a can of white spray paint to cover up the blood. He recasts it and moves on to the next rope that gives a tug.

Two balls of fur come over the stone wall with our next catch but one detaches itself quickly before Nigel stomps the other. The jump rope weapon hangs limp in my hand as I find myself facing unblinking beady blue eyes once again. This time the eyes are framed by white fur followed by more fur and then teeth. Two sharpened white sticks the size of large sharpies are clutched in hairy mittens.

Clank clank - the ball of fur beats the sticks together before clicking its teeth and rushing me. That peculiar dread of the disproportionately small keeps me rooted in place. The first spear grazes my shin and knocks me off balance just enough for the little bastard to get tangled in the jump rope weights. I swing him in to the stones crusted over in blue moss and the creature bellows deeply until Nigel beats it to death with a hockey stick. “Man up or die useless” he says tersely as he points for me to drag in the next rope.

An hour later the activity below has dwindled to a few forlorn figures trudging off over the horizon- my first elf hunt has come to a close. In the center of the stones Nigel and I have amassed 22 specimens of what I hazard to guess are elves. Though baby-sized each one is close to 50 pounds – my arms are sore from hefting each one on to the pile but the gash in my shin demands my attention. The edges of my wound have begun to sprout faint traces of white fur. I notice for the first time that Nigel's eyes are different colors- one green and one gray. It strikes me that this is the first time he's made eye contact, and he treats me with a newfound respect. The perpetual twilight about us deepens just a shade as he begins to somewhat answer my questions.
As you might have guessed the Yuletide flurry refers to the snow driven up by the elves as they tromp to their breeding grounds. Yes, some of the frenzied movement below us comes from their violent mating tactics although even Nigel has never been able to tell the difference between either sex. The man in white also reassures me that the white fur growing around my wound should soon fall out- it's a natural consequence of being sliced with an elf bone. Apparently elves have many uses for their own bones including wielding them as tiny menacing spears. These bones also form a ridiculously dense skeleton which is why each elf is surprisingly heavy. Nigel's only explanation for the furry wound is that perhaps some chemical in the bones is responsible for initiating hair growth. Elves has also been known to randomly attack any object taller than themselves. This applies to the Hunchicks as well which are their fierce rivals. Elves eat their eggs at every opportunity and the fish balls that we shot out below are supposed to mimic their smell.

Hunchicks and elves exhibit a strong response to a certain light blue moss that can be found growing on the occasional rock. Hunchicks are soothed by its icy hot stench whereas elves can't abide close proximity to even the smallest growths. The Vikings were the first to find this out as they had a short lived settlement in the area. They reportedly gathered all the blue moss stones that they could find before arranging them in perfect circles to keep them safe from roving bands of elves and Hunchicks alike. Yet these warriors with a talent for pillaging were unable to make their settlement last long, and as their time passed their perfect circle degenerated into the ellipse that now surrounds me, Nigel, and a pile of dead elves.

Nigel offers me some nachos before handing me a shaver and a trash bag. The man in white tells me that he and a handful of hunters are “under contract” with the Canadian government to contain the elf population within the bounds of this frozen tundra. In return for their silence they are granted full right to do with the elf fur what they please. As I begin to shave my first elf I notice the fur is the finest quality that I have ever encountered – it caresses my skin and offers warmth that I would never have imagined. Nigel assures me that there is a highly lucrative market among upper tier celebrities who want to see just how far their money can go. Underneath all the fur each elf is actually quite scrawny and their skin reminds me of sandpaper. We fill three bags before Nigel pull down his white hood and tells me to try to sleep for a few hours before the next flurry hits. One last question- why don't the hunters just use guns or at least some more conventional type of weapon? The man in white smirks before answering “well a napoleon complex is always great for a short laugh, but once you back it up with firepower you have an entirely different situation on your hands.”

I'm awoken by more clanks and clicks but this time they sound closer. Nigel is nowhere in sight and a dozens elves are carrying a human sized figure in white. The first tufts of soil inside the stones begin to move as white sticks break the surface – they've burrowed past our defenses. I grab my jump rope and weights and wonder if the Viking warriors before me experienced this same odd sense of peace. As the jump rope begins to swing for perhaps its last time I realize that disproportionately small is a relatively silly idea.

I'm awoken by the clink of glass – my half full Red Stripe has fallen from my unconscious hand on to the pile of bottles that litter the floor of the minivan. I guess I didn't quite get around to the Christmas shopping. I've traveled several miles north along the highway when I realize that I've already decided to skip Christmas this year. The cars and people around me seem disproportionately large as I head for Canada to celebrate my very first Yuletide.Do you understand? Do you or don't you – it's a simple question.

-------------------------------------------------------------------



Title: Lost in Language
Author: Diana Hawkins
Picture: http://www.pictureninja.com/pages/united-kingdom/england/london.htm

It was cooler in the metro-way, if you can imagine that. Upstairs was hell on earth. It was as if the rail companies had conspired against God and rebuilt Babel only to suffer the same but louder punishment. Loudspeakers screamed metro routes in Catalan, the train system shouted in Castellano, tourists were speaking in all kinds of jargon, and I was smack in the middle of it.

I was lost and trying to rectify that, so I went to the information desk. The attendant was speaking to me in French – I was dark so therefore I had to be from a former colony – the loudspeakers were blaring competing Spanish dialects, and after subconsciously eavesdropping on the German couple behind me, I thought: screw this, I’d rather be lost in space than language.

None of the clocks or TV monitors were right, which was strange for a train station, but then I remembered that this was Barcelona, where when you flushed most toilets, it only diluted the color -- You know you’re used to this city when you check the roll for paper before committing to a stall. And when you look down and find a torn up newspaper, you know exactly what went down and applaud the prior user for leaving some of it behind for the next.

I blame it all on the language: Catalan is an awkward tongue that you first mistake for strangely accented French but quickly discover is a mutt of a language. One whose pedigree was lost long ago but has still been allowed to compete in shows somehow. It will remind you of Spanish, but memories often lie.

It’s funny how words can do that: conjure up memories and thoughts of no relation to their respective objects. I ordered a slice cake in Starbucks, xocolata formatage, and expected an Aztec god to arise from the depths and offer me a plate of French cheese. Your average barista appeared instead and presented me with chocolate cheesecake on a napkin. If xocolata brings to mind the Aztecs, then will Mexico remind me of tortilla de patata only to disappoint by giving me a potato covered in flat bread? Perhaps, but at least tacos de queso will really be cheese tacos, and I won’t have to go through the embarrassment of sending another plate of cheese slices back to the chef who so lovingly sliced them ignorant of my mistake.

Poetry

Title: Driving at Midnight with the Headlights Off Author: Diana Hawkins
Date Written: Foreverago


My friend and I saw a guy driving with his headlights off one night and took bets on if he’d crash or make it home.

Later when her car broke down, she theorized that the car we saw was a metaphor for our night and, since she was an English major, I believed her.

But then the tow truck came and I caught a ride back to my house and decided that if that car were truly a metaphor for the night, then the tow truck would have exploded.

‘Cause surely that crazy driver never made it home,
Right?

And then you came over at midnight and reminded me that Life hated English-major-bull-shit and that I needed to name the ocean we’d been exploring for six months.

You know, I forgot how beautiful the night sky was until I saw you wearing it on your back, as if a cloak to cover your nakedness from anyone daring enough to look at my front lawn.

And I never realized the moon could blush till I saw your eyes; eyes that should have been jailed but weren’t ‘cause the cops didn’t know if they were green or brown, and thus, could not arrest them.

When we finished spinning starlight and moonbeams into a blanket of pleasure to wrap ourselves in, you lit up another joint and I ate another brownie. Then you asked me what we were

I thought of how the stars described their affair with the moon and why the night’s sky never got jealous. And I decided I was stoned when I told you that the moon was flirting with me.

You laughed while your hand clumsily waltzed over to mine.
You smiled while introducing your lips to my cheek.
And I wondered why cars bothered with lights in the first place.

Title: Postcard
Author: Diana Hawkins

Date Written: Foreverago


I like to imagine that you are here with me, but I know from experience that you’d never stand for such cliché. Even so, you must see Barcelona – if only for the drugs. The first night I was here I saw people lighting up in the alley ways and thought of you fitting right in with them – pot is a universal language after all – but then I remembered that this was a stylish and punkish crowd.

I can’t see you cutting your hair off on one side and dying the rest orange. Though, I can easily see you in their attire...and out of it. You’d like the bars. There’s no dancing and few play music so the only stimuli is your drink and your people, so both need to be perfection. You can smoke everywhere here without being looked at twice. I contemplated carrying a lighter just to not stand out in the hazy, bleary-eyed cafés. But then I remembered I was black and it was probably useless to blend in anyway. They all think I speak French and are very disappointed to learn I do not, especially when Spanish has already failed.

Oh the coffee! It reminds me of you; I won’t say how. Suffice to say that when I drink the thick and oft bitter fluid it’s as if I’m downing your – what did you think I’d be so explicit? (while I enjoy the act I hate the results) No naked picture, I know, but I’ve told you, never again – though that implies a first. I’d let you take one perhaps since you do know how to best capture my form for at least an hour, sometimes two…wait, what was I talking about?

Ah, Barcelona. Imagine a city big enough to get lost in and there you have it. Churches? Yes there are many beauties. Women? There are doubly many. Men? You got me. I haven’t gone clubbing yet. Though I suspect that in a dark corner of a disco, I’ll find a Spaniard who when kissing me will bite my bottom lip and I’ll think of you – or whether or not I took my pill today. Is that cliché enough for you?

Round 2: Critical Paper

I had to return back to Antioch at the end of June to take my second round of classes. Due to work I missed ~2 days worth of class (boo!). My time there was both inspiring and a bit depressing. I learned things, but crave more information than I'm getting. So! I'm going to be reading more =)

In June, per my re-dedication to this project, I finished The Art of the Start (great book on entrepreneurship), Thinking With Type (I'm now inspired to create my own font), Publish Your Own Magazine, Guidebook, or Weekly Newspaper (definitely a more practical guide), and sadly that's it. Though I started about 3 more books - I just need to finish them. I also had to turn in a critical paper...which I of course avoided until the last minute. But! I'm posting it. I want your feedback and thoughts. Since I hate typical essays and loved the idea of lyric essays from my lyric essay class (one of my favorite creative writing classes I took in college), it should hopefully be entertaining. Enjoy!

Lyric Essay: The Artistic Scientist
Diana Hawkins

Introduction

In order to pinpoint what type of writing I would be soliciting from the scientific community for my literary journal, I set out to define science writing. I attempted to do so by asking scientists, both professors and students, for their perspective on the matter. I did not deeply research the subject in the traditional sense – it doesn't matter what academics ponder about in the confines of their offices, it matters what my target audience thinks of when they hear "science writing". The latter will affect my project the most.

After conducting interviews, two conclusions became apparent:
• No one is able to define science writing
• While no one can proffer a definition, they imagine it would be boring.

When the words science writing are uttered, technical papers written in distant third person about lab experiments, readily come to mind. Papers that, despite being relevant, no one can bring themselves to finish because the verbiage is uncreative and tedious. Following the extremely dull was the extremely exciting: science fiction.

A definition of this was easy for my audience to articulate: a fictional work that looks to the cutting edge of science and posits where it will take us. However, this genre is rarely believable to scientists. Star Trek no doubt motivated many young people to major in a scientific field, but once a physics class explains that warp speed is an utter fantasy and/or millennia away from existing, Star Trek loses some of its wonder – it can be explained.

The last form of science writing my audience articulated was more ambiguous. They could only define it as what is in Discover and Popular Science magazine. These are magazines that translate new technologies and scientific discoveries into a language that those without a B.S. in Engineering or Physics can understand. They are entertaining and definitely have a "wow" factor going for them, but they lack grit. Rarely do these magazine articles discuss in detail the sweat that went into creating these new technologies or the science behind them.

Some expanded science writing to include multi-media, songs about thermodynamics and comics about the perils of getting your PhD in engineering were suddenly included in the definition.
Suddenly, this seemed like a failed project idea. No one could define science writing and worse, no one specified the definition *I* had in mind: a non-fiction but humorous or exaggerated version of scientific activities. So, I took a step back and, being a scientist, reevaluated my hypothesis. No one in my audience could define the type of writing I desired to feature in my journal: science writing. Fine. Perhaps my audience could identify the people who would generate this product: artistically creative scientists.

The Artistic Scientist

Wanting to seek out a professional opinion on the matter, I interviewed a current engineering professor at Harvey Mudd College, a professor of English at Scripps College, and the president of Harvey Mudd College. Harvey Mudd College is a technical institution with an emphasis on the humanities. Every graduate is required to not only major in the sciences, but essentially minor in a humanities area. The belief is that this makes for well rounded scientists who will see how their work impacts the community around them. Scripps College is an all female liberal arts college that has a strong arts and English program.

The consensus from all three academics was that scientists are artistically creative and that the humanities and science disciplines overlap greatly. My original target audience for my project was professors; however, the English professor pointed me towards science students. She had taught numerous science majors in her creative writing classes over the years and argued that most were interested in sharing their work in some manner, while professors were typically more focused on their research and might not have time to dedicate to the arts. She was also concerned that the editing process for professors would be a delicate subject – most would be adverse to criticism of their work, while students would be more open. This was a start.
Perhaps the most convincing was the interview with the president of Harvey Mudd College, who said that "creative expression is synergistic with being a scientist/engineer whether in a product based or research role. It is the wave of the future and is growing at the college level. It's coming, but how wide spread or how fast the change will occur I don't know." Not only was my target audience indentified, but it was growing. I asked both the president and the engineering professor if they were artistically creative. They painted and wrote poetry, respectively, and assured me that they had encountered many artistically inclined science students as well. While this was good news, they identified a cultural problem within the sciences: scientists typically don't discuss their artistic side with other scientists.

For what reason, neither could pick out; however, the president did give an example: prior to being at Harvey Mudd, this individual was the dean of engineering at Princeton. While at Princeton, she ran into another science dean who she discovered was also an artist. Just being able to say to one another "I'm an artist" and not have that identity be pushed to the side in favor of a conversation on science or on being a dean was a novel concept. She had finally found a colleague who not only understood what it meant to be an artist, dean, and scientist, but with whom she could collaborate artistically with. The scenario that she described was the main goal of my project: to have artistic scientists interact with each other and to have their artistic side validated in some manner.

The academics had easily identified what I planned to do and who my audience was. More hopeful, I conducted a survey of science students to see how many artistic scientists were really out there.

Definition of Science Writing vs. Redefinition of the Scientist

I received 45 responses to my survey. Despite the fact that 60% of responders were recent college graduates, the results were illuminating. Writing, photography, playing an instrument, and drawing were commonly listed as hobbies and 40% said that they continue to do these things despite working or attending a graduate program. Even more inspiring, 30% share their work with fellow scientists and 26% would do so if they felt the scientific community would be receptive to it. When I described my project idea of creating a literary journal and/or a forum specifically for scientists, they were receptive to my idea and 27 of them wanted to be kept in the loop about how the project unfolds.

Based on these results and the aforementioned interviews, my project's feasibility had significantly increased – despite no one being able to define "science writing." I now realize my project has less to do with what type of writing and artistic material I receive and more with the fact that I will be receiving some type of writing and artistic material from a group of people who have traditionally been told: "you're a scientist, not an artistic type, so stick to what you're good at." I will have proof that scientists are evolving in more than the Darwinian sense – that scientists no longer simply think to themselves "I am a physicist" but rather "I am a physicist and a poet." It is this redefinition that is important, not the definition of an ambiguous term.

You can change in a day

In the movie about the Enron scandal: "The Smartest Guys in the Room", the CEO Jeff Skilling supposedly woke up one day and transformed himself from a paunchy, balding, glasses wearing, semi-quiet guy, into a fit, post-lasik, attractive, alpha male.

Not the best inspiration, but you can change in a day. I've been neglecting this project for a host of reasons and I'm turning a corner - for real this time. No more excuses. I've bought my books, designed the survey I've been procrastinating about (click on the post title for the link), and sent out the emails I've been on the fence about. I can do this. I just need to take deep breaths and keep pushing ahead.

In other news, I finally had my interview with the president of my alma mater. I was expecting more help and insight but I think it's hard to give help when the person doesn't yet know what they need. She mostly wanted to follow up with me about my life after college and give me advice on why I shouldn't run away and do an American wine tour for a year.

But, she was helpful in a lot of ways. She re-iterated that I should focus on more than just faculty and based on talking to my peers, I think she and others are right. It's the undergraduates, recent alumni, and graduate students who are probably going to be more into this. I'd like to target professors, but maybe they will be for phase 2, not phase 1 of this project.

She also suggested an implementation idea that I didn't think about: going to Web 2.0 conferences and seeing what's out there. I'm glad she suggested it because just via searching and looking up some of the companies who regularly attend, I already found a couple potentially viable platforms I could build upon. She also suggested Mahlo.com - a human search engine. If nothing else I could use it to do a more intelligent search to see if something like what I want to do already is out there (of course this depends on who frequents Mahlo.com but should still be a good start.

I think my favorite part of the interview was when she said:

"Creative expression is synergistic with being a scientist/engineer whether in a product based or research role. It is the wave of the future and is growing at the college level. It's coming, but how wide spread or how fast the change will occur I don't know."

Now I just need to find out how wide spread it is...

She also relayed a story about how while at another college she ran into a Dean who was also an artist and just being able to say to one another "I am an artist" and not have it be pushed to the side in favor of a conversation on science or being a Dean was a novel concept. And how having a colleague who not only understood what it meant to be an artist, Dean, and scientist, but with whom you cold collaborate artistically with was truly refreshing.

The interview went well. I plan on contacting her again once I have a more concrete idea of what I'll be doing and have some things implemented.

I feel positive about this project and I know I can do this. I just need to kick myself into gear, focus, and get it done.

wish me luck =)

New Take on Project

I had another interview with another professor. She took the project idea in a new direction: imagine a creative center for science people. Part networking but mostly part displaying science people being creative.

She envisioned not just creative writing, but songs, artwork, videos, etc. she wanted something that as a professor you could go to for examples of a lab experiment come to life in a fun unique way. The more I thought about it the more I like the idea of not excluding any creative genre. I'm still working to define exactly what I'm looking for from potential contributors, but I've already toyed with the idea of a website like the one she suggests and I think it would appeal to a wider audience - not just creative material by science professors for science professors, but also for high school science teachers and science hobbyists - people I hadn't really considered before.

I've been working my college network and have an interview with my alma mater's president and am going to set up meetings with someone from our alumni network. I am also looking for insight from people currently in this industry but am skeptical of whether or not they will actually respond to me. I am also talking my idea up every chance I get and came away with a potential 5 - 10 people to talk to. Now I just have to make that contact happen.

I think this has proven the idea is viable/people are interested, now I just need to define it in a more professional manner, solicit contributions/get people aware of my project, and execute it by launching a website of some sort.

wish me luck!

Progress!

...sort of...

I had my first interview with a professor who taught a short story class I took back in college. we had a really good discussion and I was able to get the following information/takeaways:

- She gets a lot of science majors who want to switch from science to the humanities - most of them are biology majors

- Thinks it'd be easier to start with undergraduates/grad students because professors are busy most of the time. She mentioned that it's difficult to write novels, even for English professors when it's expected of them. So she imagines that for science professors whose main focus should be on their research, any and all creative writing would be put on the back burner and/or not necessarily approved by their departments. That's what I've got to look into more. See if they have the time to write or if it's as she said and they're swamped with research work, students, and family with no time for anything else. I'm hopeful though =)

- Recommended a work by another one of my previous professors about this mountain in Nevada. So i'm going to check it out. apparently it's about science type things (nucleur waste, experiments, etc.) but it's written in a very literary and memoir-esque way.

- Thinks this type of idea naturally lends itself to a blog or online journal format.

And that's where it will be for now.

This talk motivated me to schedule some more meetings and buy a couple books for research. I'm optimistic but am still trying to sort out what exactly I'm going to do. I'm hoping between the research, talks, and any feedback from this blog I will be able to complete this. =)

Round 1 was reaching out to my past professors. Only got 2 responses - i think everyone is super busy =/. Round 2 is reaching out to admin at my college. Received 4 responses. So I'm following up with them. Round 3 will be contacting people in the business with a more formal and concrete interview.

wish me luck!

A change of focus

I enrolled in Antioch University's publishing arts program in LA. part of the requirements for completion is an internship or doing a project in the publishing arts industry. I've decided to go with the project since I work full time.

The project idea I have is to develop a publication by math, science, and engineering professors FOR math, science, and engineer professors, but NOT, necessarily, on the subject of math, science, or engineering.

I haven't really found anything comparable out there except for
Isotope, a nature writing journal linked above, and a couple of science blogs. I think that my engineering degree from a primarily math and science school puts me in a unique position to pursue this niche.

At college, there were so many people who wrote and drew and painted and whatnot that I just can't accept that that drive and passion disappears once you become a hermit in your research lab. That is why I've decided to pursue this venture. the quality of writing is something I've yet to think about, but i think that the passion is there.

ather than a completely self-absorbed blog, this will be from here on dedicated to this project.


please let me know your thoughts.

Cheers,
Diana

A More Formal Concept Statement:

At the undergraduate level, there are numerous math, engineering, and science majors who write avidly. Often, limited information reaches them as to the publication process and next steps for their writing. I believe that this persists as students age and is also the case for math, science, and engineering professors at major universities. Because of this, I want to develop a journal/anthology targeted to math, science, and engineering professors, with submissions from math, science, and engineering professors that are non-technical but science influenced/related. Means of distribution would be at science conferences and conventions, college campuses, and word of mouth between colleagues. Payment for submissions would be handmade copies of the journal. As a subscription base develops and money is available, a prize would be offered to undergraduate math, science, and engineering majors who write material comparable to the journal's contents.